Emptiness in Tea Practice

When a friend who’s a longtime Buddhist meditation teacher asked me recently if “emptiness” comes into our study and practice of chado, the Japanese way of tea, I didn’t quite know how to answer. On Talking Tea we had chatted a bit about emptiness in a Daoist context, and its relation to tea, in our episode Tea & Daoism: Adjacent Connections, and we touched on some of the connections between tea and Buddhism in a few of our earlier episodes. But I hadn’t thought about how, or if, emptiness comes into play in the specific practices of the Japanese way of tea.

To explore this question further, we asked Drew Hanson, an instructor in the Urasenke school of chado and founder/owner of the Boukakuan Japanese Tea House in New Jersey, to join us again on Talking Tea. (Drew was our guest in two earlier Talking Tea episodes, Tea, Heart to Heart and Chabana: Flowers for Tea.) 

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Chabana: Flowers for Tea

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As December comes to a close and winter deepens here in the northern hemisphere, we’re continuing our turn inward as we conclude our two-part series on the spirit of tea as reflected in chado, the Japanese way of tea. Today we’re focusing on chabana, the art of flowers so integral to Japanese tea ceremony.  Read the full show notes

Okakura and the Spirit of Tea

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We’re getting a bit contemplative this time of year here at Talking Tea, as the weather turns cooler and our bodies and minds begin to turn inward. So this December we’re offering two episodes exploring the spirit of tea as reflected in chado, the Japanese way of tea. To kick off this two-part series we’re looking at the life, work and influence of Kakuzo Okakura (pictured above), best known for his modern classic The Book of Tea.  Read the full show notes